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Alexander Alberro, (Ph.D. 1996) and Blake Stimson, eds., Conceptual art: a critical anthology, Cambridge: MIT Press, 1999.
Alexander Alberro, (Ph.D. 1996), ed., Two-way mirror power: selected writings by Dan Graham on his Art, Cambridge: MIT Press, 1999.
Alexander Alberro (Ph.D. 1996), Conceptual art and the politics of publicity, Cambridge: MIT Press, 2003.
H. Allen Brooks (Ph.D. 1957 ), Frank Lloyd Wright and the Prairie School, New York : Braziller : Published in association with the Cooper-Hewitt Museum, 1984.
H. Allen Brooks (Ph.D. 1957), The Le Corbusier archive. New York : Garland; Paris : Fondation Le Corbusier, 1982.
H. Allen Brooks (Ph.D. 1957), Le Corbusier's formative years : Charles-Edouard Jeanneret at La Chaux-de-Fonds, Chicago : University of Chicago Press, 1997.
H. Allen Brooks (Ph.D. 1957), Prairie School architecture : studies from "The Western architect," Toronto ; Buffalo : University of Toronto Press, 1975.
H. Allen Brooks (Ph.D. 1957), The prairie school; Frank Lloyd Wright and his midwest contemporaries, Toronto, University of Toronto Press, 1972.
H. Allen Brooks (Ph.D. 1957), Writings on Wright : selected comment on Frank Lloyd Wright, Cambridge, Mass. : MIT Press, 1981.
Sally Anderson Chappell (Ph.D. 1968), Architecture and planning of Graham, Anderson, Probst, and White, 1912-1936 : transforming tradition, Chicago : University of Chicago Press, 1992.
Sally Anderson Chappell (Ph.D. 1968), Barry Byrne, John Lloyd Wright : architecture & design, Chicago, Ill. : Chicago Historical Society : Distributed by the University of Chicago Press, 1982.
Sally Anderson Chappell (Ph.D. 1968), Cahokia : mirror of the cosmos, Chicago : University of Chicago Press, 2002.
Pia F. Cuneo (Ph.D. 1991), Art and politics in early modern Germany: Jörg Breu the Elder and the fashioning of political identity, ca. 1475-1536, Boston: Brill, 1998.
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Mary Mathews Gedo (Ph.D. 1972), Looking at art from the inside out : the psychoiconographic approach to modern art, Cambridge ; New York : Cambridge University Press, 1994.
Mary Mathews Gedo (Ph.D. 1972), Manierre Dawson, paintings, 1910-1914 : [exhibition] March 28- April 22, 1981, New York: Robert Schoelkopf Gallery, 1981.
Mary Mathews Gedo (Ph.D. 2002), Picasso, art as autobiography, Chicago : University of Chicago Press, 1980.
David Getsy (Ph.D. 2002) , Body Doubles: Sculpture in Britain, 1877-1905 (New Haven and London: Yale University Press, 2004)
David Getsy (Ph.D. 2002), ed., Sculpture and the Pursuit of a Modern Ideal in Britain, c.1880-1930 (Aldershot: Ashgate Publishing, 2004)
Debra N. Mancoff (Ph.D. 1982) with D.J. Tela, Victorian urban settings : essays on the nineteenth-century city and its contexts, York : Garland Pub., 1996.
Debra N. Mancoff (Ph.D. 1982), and Norris J. Lacy and Geoffrey Ashe, The Arthurian handbook, New York : Garland Pub.,1997.
Debra N. Mancoff (Ph.D. 1982), with Sylvia Wolf, Stephanie Lipscomb and Phyllis Rose, Julia Margaret Cameron's women, Chicago, Ill. : Art Institute of Chicago ; New Haven : Yale University Press, 1998.
Debra N. Mancoff (Ph.D. 1982), King Arthur's modern return, New York : Garland Pub., 1998.
Debra N. Mancoff (Ph.D. 1982), David Roberts : travels in Egypt & the Holy Land, San Francisco: Pomegranate, 1999.
Debra N. Mancoff (Ph.D. 1982), Van Gogh : fields and flowers, San Francisco : Chronicle Books, 1999.
Debra N. Mancoff (Ph.D. 1982), Jane Morris : the Pre-Raphaelite model of beauty, San Francisco [Calif.] : Pomegranate, 2000.
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Debra N. Mancoff (Ph.D. 1982), editor, John Everett Millais : beyond the Pre-Raphaelite brotherhood, New Haven : Published for the Paul Mellon Centre for Studies in British Art, the Yale Center for British Art : Yale University Press, 2001.
Debra N. Mancoff (Ph.D. 1982), Sunflowers, [Chicago] : Art Institute of Chicago ; New York, N.Y. : Thames & Hudson, 2001
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Anne Helmreich, et al. (Ph.D. 1994), The Victorians: British painting, 1837-1901, Cambridge: MIT Press, 1996.
Anne Helmreich (Ph.D. 1994), The English garden and national identity: the competing styles of garden design, 1870-1914, New York: Cambridge University Press, 2002.
John Gary Hutton (Ph.D. 1987), Neo-impressionism and the search for solid ground: art, science, and anarchism in fin-de-siècle France, Baton Rouge: Louisiana State University Press, 1994.
Sharon Irish (Ph.D. 1985), Cass Gilbert, architect: modern traditionalist, New York: Monacelli Press, 1999.
Paul B. Jaskot (Ph.D. 1993), The architecture of oppression: the SS, forced labor and the Nazi monumental building economy, New York: Routledge, 2000.
Karen L. Kettering (Ph.D. 1998), Russian glass at Hillwood, Washington, DC: Hillwood Museum & Gardens, 2001.
Marilyn S. Kushner (Ph.D. 1991), The lure of Tahiti: Gauguin, his predecessors, and followers, New Brunswick: Jane Voorhees Zimmerli Art Museum, Rutgers University, 1988.
Marilyn S. Kushner (Ph.D. 1991), Morgan Russell, New York:
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Marilyn S. Kushner (Ph.D. 1991), The modernist tradition in American Watercolors, 1911-1939, Evanston: Mary and Leigh Block Gallery, 1991.
Marilyn S. Kushner, et al., (Ph.D. 1991), Winslow Homer: illustrating America, New York: Brooklyn Museum of Art in association with G. Braziller, 2000.
Marilyn S. Kushner (Ph.D. 1991), Digital: printmaking now, Brooklyn: Brooklyn Museum of Art, 2001.
Barbara McCloskey (Ph.D. 1992), George Grosz and the Communist Party: art and radicalism in crisis, 1918-1936, Princeton: Princeton University Press, 1997.
Kevin D. Murphy (Ph.D. 1992), and Sarah L. Giffen, eds., “A noble and dignified stream”: the Piscataqua region in the colonial revival, 1860-1930, York (ME): Old York Historical Society, 1992.
Kevin D. Murphy (Ph.D. 1992), Memory and modernity: Viollet-le-Duc at Vézelay, University Park: Pennsylvania University Press, 2000.
Jonathan David Katz (Ph.D. 1996), Andy Warhol, New York, N.Y. : Rizzoli International Publications, 1993.
Jonathan David Katz (Ph.D. 1996), Opposition Inc.: The Homosexualization of Postwar American Art, Northwestern University, 1995.
Jonathan David Katz (Ph.D. 1996), (with Moira Roth) Difference/Indifference: Musings on Postmodernism, Marcel Duchamp and John Cage, Amsterdam, The Netherlands : GB Arts International, 1998.
Jonathan David Katz (Ph.D. 1996), The Homosexualization of Postwar American Art: Jasper Johns, Robert Rauschenberg and the Collective Closet, forthcoming, University of Chicago Press.
Nancy Elizabeth Owen (Ph.D. 1997), Rookwood and the industry of Art: women, culture, and commerce, 1880-1913, Athens: Ohio University Press, 2001.
Sharon F. Patton (Ph.D. 1980), Traditional forms and modern Africa: West African art and the University of Maryland, College Park: The Art Gallery, University of Maryland, 1983.
Sharon F. Patton (Ph.D. 1980), East-West, contemporary American art: January 22, 1984-January 15, 1985, Los Angeles: California Afro-American Museum, 1984.
Sharon F. Patton (Ph.D. 1980), Vincent D. Smith: riding on a blue note: monoprints and works on paper on jazz themes, New York: Henry Street Settlement, 1990.
Sharon F. Patton (Ph.D. 1980), African-American Art, New York: Oxford University Press, 1998.
Sharon F. Patton (Ph.D. 1980), Romare Bearden: narrations, Purchase (NY): Neuberger Museum of Art, Purchase College, State University of New York, 2002.
Margery Blair Perkins (Ph.D. ??), Evanstoniana : an informal history of Evanston and its architecture, Evanston, [Ill.] : Evanston Historical Society ; Chicago : Chicago Review Press, 1984.
Patrick S. Smith (Ph.D.1982), Andy Warhol's art and films , Ann Arbor, Mich.: UMI Research Press, 1986.
Patrick S. Smith (Ph.D.1982), Warhol : conversations about the artist, Ann Arbor : UMI Research Press, 1988.
John W. Stamper,(Ph.D. 1985) Architecture of Roman Temples: The Republic to the Middle Empire, Cambridge: Cambridge University Press, 2005.
Frances H. Steiner (Ph.D. 1977), Frank Lloyd Wright in Oak Park & River Forest, Chicago: Sigma Press, 1982.
Frances H. Steiner (Ph.D. 1977), French Iron Architecture, Ann Arbor: UMI Research Press, 1984.
Frances H. Steiner (Ph.D. 1977), Victorian Oak Park: Five Architectural Tours, Chicago: Sigma Press, 1983.
Frances H. Steiner (Ph.D. 1977), The Architecture of Chicago’s Loop: A guide to the central and nearby districts, Batavia: Sigma Press, 1998.
Martha Tedeschi (Ph.D. 1994), Great drawings from the Art Institute of Chicago: the Harold Joachim years, 1958-1983, New York: Hudson Hills Press, 1985.
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